In the days, weeks, months, and years after September 11th, ordinary places became sites of memorialization, commemoration, and tributes to both individuals and the nation itself. Seen in the form of flags, memorial displays, and other creative impulses on: Firehouse doors, highway overpasses, automobiles & large trucks, fences, houses, barns, front lawns, handball courts, bales of hay, and even the human body.
Since the day of the attacks on September 11th, 2001, with an eye on and interest in memorialization, collective memory, and contemporary folk art, photographer Jonathan C. Hyman has been documenting these public commemorative expressions across a large part of the country. In the aftermath of the attacks Hyman discovered Indart’s artistry while riding his bicycle on a 5-boro ride across New York City, tracking Indart down through a phone number he noticed in the bottom corner of a mural. The two have collaborated over the years in various endeavors and events that commemorate 9/11 and various individuals. Through their work together they present and interpret 9/11 commemorative language in contemporary popular culture.